1787 Congress enacts the Northwest Ordinance On July 13, 1787, Congress enacts the Northwest Ordinance, structuring settlement of the Northwest Territory and creating a policy for the addition of new states to the nation. The members of Congress knew that if their new confederation were to survive intact, it had to resolve the states’ competing claims to western territory. In 1781, Virginia began by ceding its extensive land claims to Congress, a move that made other states more comfortable in doing the same. In 1784, Thomas Jefferson first proposed a method of incorporating these western territories into the United States. His plan effectively turned the territories into colonies of the existing states. Ten new northwestern territories would select the constitution of an existing state and then wait until its population reached 20,000 to join the confederation as a full member. Congress, however, feared that the new states—10 in the Northwest as well as Kentucky, Tennessee and Vermont—would quickly gain enough power to outvote the old ones and never passed the measure. Three years later, the Northwest Ordinance proposed that three to five new states be created from the Northwest Territory. Instead of adopting the legal constructs of an existing state, each territory would have an appointed governor and council. When the population reached 5,000, the residents could elect their own assembly, although the governor would retain absolute veto power. When 60,000 settlers resided in a territory, they could draft a constitution and petition for full statehood. The ordinance provided for civil liberties and public education within the new territories, but did not allow slavery. Pro-slavery Southerners were willing to go along with this because they hoped that the new states would be populated by white settlers from the South. They believed that although these Southerners would have no enslaved workers of their own, they would not join the growing abolition movement of the North. Live Aid concert raises $127 million for famine relief in Africa On July 13, 1985, at Wembley Stadium in London, Prince Charles and Princess Diana officially open Live Aid, a worldwide rock concert organized to raise money for the relief of famine-stricken Africans. Continued at JFK Stadium in Philadelphia (where Joan Baez famously kicked it off by telling the crowd "this is your Woodstock, and it's long overdue") and at other arenas around the world, the 16-hour “superconcert” was globally linked by satellite to more than a billion viewers in 110 nations. In a triumph of technology and good will, the event raised more than $125 million in famine relief for Africa. Live Aid was the brainchild of Bob Geldof, the singer of an Irish rock group called the Boomtown Rats. In 1984, Geldof traveled to Ethiopia after hearing news reports of a horrific famine that had killed hundreds of thousands of Ethiopians and threatened to kill millions more. After returning to London, he called Britain’s and Ireland’s top pop artists together to record a single to benefit Ethiopian famine relief. “Do They Know It’s Christmas?” was written by Geldof and Ultravox singer Midge Ure and performed by “Band Aid,” an ensemble that featured Culture Club, Duran Duran, Phil Collins, U2, Wham! and others. It was the best-selling single in Britain to that date and raised more than $10 million. “Do They Know It’s Christmas?” was also a No. 1 hit in the United States and inspired U.S. pop artists to come together and perform “We Are the World,” a song written by Michael Jackson and Lionel Richie. “USA for Africa,” as the U.S. ensemble was known, featured Jackson, Richie, Geldof, Harry Belafonte, Bob Dylan, Cyndi Lauper, Paul Simon, Bruce Springsteen, Tina Turner, Stevie Wonder, and many others. The single went to the top of the charts and eventually raised $44 million. With the crisis continuing in Ethiopia, and the neighboring Sudan also stricken with famine, Geldof proposed Live Aid, an ambitious global charity concert aimed at raising more funds and increasing awareness of the plight of many Africans. Organized in just 10 weeks, Live Aid was staged on Saturday, July 13, 1985. More than 75 acts performed, including Elton John, Queen, Madonna, Santana, Run DMC, Sade, Sting, Bryan Adams, the Beach Boys, Mick Jagger, David Bowie, Queen, Duran Duran, U2, the Who, Tom Petty, Neil Young, and Eric Clapton. The majority of these artists performed at either Wembley Stadium in London, where a crowd of 70,000 turned out, or at Philadelphia’s JFK Stadium, where 100,000 watched. Thirteen satellites beamed a live television broadcast of the event to more than one billion viewers in 110 countries. More than 40 of these nations held telethons for African famine relief during the broadcast. A memorable performance of the concert was by Queen, particularly frontman Freddie Mercury, who unexpectedly stole the show with a fierce performance. With the group losing steam as they went into the early 1980s after a career of multiple hits, they offered the crowd an unforgettable 20-minute performance. Going from "Bohemian Rhapsody" to "We Will Rock You" and finishing with "We Are the Champions," Queen captivated the audience with a journey through their hits, with Mercury at the helm. Another top moment was by Phil Collins in Philadelphia after flying by Concorde from London, where he performed at Wembley earlier in the day. He later played drums in a reunion of the surviving members of Led Zeppelin. Beatle Paul McCartney and the Who’s Pete Townsend held Bob Geldof aloft on their shoulders during the London finale, which featured a collective performance of “Do They Know It’s Christmas?” Six hours later, the U.S. concert ended with “We Are the World.” Live Aid eventually raised $127 million in famine relief for African nations, and the publicity it generated encouraged Western nations to make available enough surplus grain to end the immediate hunger crisis in Africa. Geldof was later knighted by Queen Elizabeth II for his efforts. In early July 2005, Geldof staged a series of “Live 8″ concerts in 11 countries around the world to help raise awareness of global poverty. Organizers, led by Geldof, purposely scheduled the concert days before the annual G8 summit in an effort to increase political pressure on G8 nations to address issues facing the extremely poor around the world. Live 8 claims that an estimated 3 billion people watched 1,000 musicians perform in 11 shows, which were broadcast on 182 television networks and by 2,000 radio stations. Unlike Live Aid, Live 8 was intentionally not billed as a fundraiser–Geldof’s slogan was, “We don’t want your money, we want your voice.” Perhaps in part because of the spotlight brought to such issues by Live 8, the G8 subsequently voted to cancel the debt of 18 of the world’s poorest nations, make AIDS drugs more accessible, and double levels of annual aid to Africa, to $50 billion.